Upstander Connection

Dallas Holocaust Museum/Center for Education and Tolerance

Archive for the category “exhibit”

Tried and Tested: Exonorees Share Lessons of Faith, Forgiveness

Dorothy Budd and Billy Smith sign copies of their book "Tested"

Dorothy Budd and Billy Smith sign copies of their book “Tested” at Sept. 9 Upstander Lecture                           

The three men share a history that none of us could imagine. Richard Miles, Christopher Scott and Billy Smith were wrongly convicted of crimes that they did not commit and served, cumulatively, nearly 40 years in state prison.

Through their long incarceration and the judicial proceedings that would eventually lead to their exonerations, the men developed a deep spiritual faith, extraordinary resilience, and a deep sense of purpose—a response to injustice that all of us can learn from.

Their experiences, tragically, are familiar to more than two-dozen Dallas County residents who were wrongly convicted of crimes and later exonerated with the help of Dallas County District Attorney Craig Watkins and justice advocates.

On September 9, at the Museum’s Upstander Speaker Series, the three men shared their stories, which are told in the book Tested: How 12 Wrongly Imprisoned Men Held on to Hope (Brown Books, 2010), by Dorothy Budd and Peyton Budd, her daughter.

Dorothy Budd, a former child sex crimes prosecutor and now an Episcopal deacon of Dallas’ Church of the Incarnation, also appeared at the event, telling a standing-room-only crowd in the Museum’s theater that the men serve as an example for humanity.

“It’s easy to say all criminals say they are innocent, so they all must be lying,” Ms. Budd said. “These three amazing men prove there are people in prison who really are innocent.”

Richard Miles spent 15 years in prison for murder and attempted murder. What troubled him most, he said, was the suffering his parents endured while he was incarcerated. “My parents were falsely imprisoned with me,” he said, noting that his father died just months before he was released. “I wasn’t’ allowed to go to my father’s funeral…”

Christopher Scott was wrongly imprisoned for capital murder for 12 years based solely on eyewitness testimony that later turned out to be false. No physical evidence—no gunshot residue, no DNA, nothing—linked him to the crime.

Billy Smith spent nearly two decades in prison, convicted of rape by eyewitness testimony even though he had a solid alibi. DNA evidence later led to his exoneration.

DA Watkins told the crowd that his Conviction Integrity Unit, which he formed in 2007 after taking office a year earlier, routinely reviews and re-investigates legitimate post-conviction innocence claims.

Dorothy Budd said her book isn’t meant to be an indictment of the U.S. justice system. To the contrary, she called it a “great” system but imperfect, as the cases she documented in her book attest.

Mr. Miles said: “There are some people who need to be locked up. I’ve met some.”

Faith, fortitude and forgiveness are takeaway lessons from Richard Miles, Christopher Scott and Billy Smith—lessons for life in even its darkest moments.

The presenting sponsor for the Upstander Speaker Series is Bank of Texas. Other sponsors of the September 9th program include Simon Greenstone Panatier Bartlett, Liza and William Lee and The Dallas Morning News.

On Thursday, Dec. 4 at 6:30 p.m., the next Upstander Speaker Series event will feature Harry Wu, author of several books, including Bitter Winds (Wiley, 2007), a memoir about his 19 years of imprisonment in Chinese labor camps.

–Chris Kelley, for the Dallas Holocaust Museum/Center for Education and Tolerance

Holocaust scholar to present special lecture on the Łódź Ghetto of World War II Poland

Lodz Ghetto

Lodz Ghetto

University of Toronto Holocaust scholar Dr. Irena Kohn, an expert on Nazi-mandated Jewish ghettos of WW II, will present a special lecture on July 24 in conjunction with a new exhibit at Dallas Holocaust Museum/Center for Education and Tolerance.

Dr. Kohn’s focus will be the Łódź Ghetto of Poland, the subject of a new Museum exhibit, The Faces of the Ghetto: Their Lives are Our Lessons, which features documents and photographs illustrating the plight of Jewish inhabitants of the ghetto.

Her presentation will focus on songs, photographs and presentation albums created by inmates of the ghetto, including The Legend of the Prince—a lengthy children’s poem with allegorical underpinnings.

The exhibit can be viewed for an hour prior to the lecture, which begins at 6:30 p.m., and for thirty minutes afterward. Admission to the lecture is free for Museum members and $10 for non-Museum members. RSVPs requested at rsvp@DallasHolocaustMuseum.org

The Łódź Ghetto was quickly established by Nazi forces after the invasion of Poland in 1939, and eventually housed more than 160,000 Jews who were forced to live in unbearable conditions—overcrowded spaces and unsanitary housing and subjected to forced starvation.

The Łódź Ghetto’s Jewish Council hired two Jewish photographers, Mendel Grossman and Henryk Ross, to clandestinely take photos of Jews working inside the ghetto. The Jewish Council hoped the photos would prove to the Nazis that the work of Łódź’s Jewish inhabitants, and therefore their lives, were necessary to the war effort.

At great personal risk, Grossman and Ross bravely and faithfully documented Jewish life in the ghetto—far beyond their directive—by taking thousands of photographs, which they managed to hide just before being deported to death camps.

Faces of the Ghetto presents their work in oversize prints, bringing museum visitors face-to-face with the Jewish victims of Nazism and extreme intolerance and ensuring that the world will know of life in the ghetto as captured on film by sympathetic observers.

The images capture the nearly imperceptible sparks of individual hope smoldering in the eyes of suffering Jewish men, women, and children—as if to say where ever there is life, there is hope.

Dr. Kohn will also interpret some of the thought processes behind the Faces of the Ghetto, providing context and enhancing the audience’s experience of the exhibit, which is made possible by a generous donation of an anonymous donor and the presenting sponsor, Frost Bank.

Dr. Kohn wrote her doctoral dissertation at the University of Toronto (2008) on literary and artistic witness accounts of the Lodz Ghetto. Her work included analysis of the photos taken by Grossman and Ross.

 

 

Besa: Perhaps the Last Great Untold Story of World War II; Now on Exhibit

"Besa: A Code of Honor" exhibit tells the story of how Muslim Albanians rescued Jews during World War II

“Besa: A Code of Honor” exhibit tells the story of how Muslim Albanians rescued Jews during World War II

 

Seventy-five years ago, when the Nazis began their murderous takeover of Eastern Europe, Jews by the hundreds began relocating into what is now the Republic of Albania, seeking protection.

One of the poorest countries in Southeastern Europe, Albania, where nearly two-thirds of the population adheres to Islam, seemed one of the least likely places for Jews to seek refuge.

Prior to World War II only about 200 Albanians were Jewish. At the end of the war, about 2,000 Jews called Albania home.

Besa is the reason why.

Besa is an Albanian cultural precept, usually translated as “faith,” that means “to keep the promise” and “word of honor” and descends from the Kanun, a collection of laws which regulate Albanian social, economic and religious lives, together with traditional customs and cultural practices of the Albanian society that originated in the year 1400. Besa is an important part of personal and familial standing and is often used as an example of “Albanianism.”

Besa is the subject of a new exhibit at the Museum, “BESA: A Code of Honor,” which tells the story of the Muslim families of Albania who rescued Jews during World War II through the incredible photography of American Norman H. Gershman.

At the opening reception of the new exhibit on March 13 at the Museum, the award-winning film documentary, Besa: The Promise (2012), was screened before a standing-room only crowd at the Museum. The screening was preceded by a marvelous reception catered by the Albanian-American Cultural Center.

The documentary tells the story of the incredible courage of Albanians during World War II through the contemporary journeys of Gershman, who is urgently striving to document the lives of Jewish rescuers before they die, and a shop owner named Rexhep Hoxha, who is desperately trying to return a set of Hebrew prayer books to the survivor his family protected some 60 years earlier during Nazi occupation.

The journeys of the two men intersect at a highly emotional and impactful crossroads as the cameras roll, making the documentary’s ending reveal “a story like no other,” in the words of one reviewer.

On March 23, the Museum will present a matinee screening of the film at 2 p.m. at the Museum Theater. Admission is $5 and RSVPs are required at RSVP@DallasHolocaustMuseum.come. The public is invited.

Rather than hiding the Jews in attics or woods, Albanians brought them into their homes, gave them Albanian names and treated them as part of the family, noted Mary Pat Higgins, Museum President and CEO.

“My father never talked about what he did for the Jews,” one Albanian shop keeper said in the documentary. “He thought it was normal.”

So warm was the welcome for the Jews, said another woman in the film, that her parents used to say, “We don’t know any Jews. We only know Albanians.”

Said Mary Pat: “In a time when religion continues to serve as a divisive force in the world, we are honored to tell the story of these Upstanders, who saw beyond religious difference and chose to act, based on their ethics—Besa—to do what was right and defy Nazi orders. This is history that moves us forward.”

Doc Vranici, Executive Director of the Albanian American Cultural Center, thanked the Museum for hosting the exhibit and for helping share a piece of hidden history of Albania—that Muslims saved Jews during World War II.

Bordered by Montenegro to the northwest, Kosovo to the northeast, Macedonia to the east, and Greece to the south and southeast, Albania became a Communist country, following WW II where religion expression of any kind was punishable by lengthy prison terms. As part of the fall of Eastern bloc Communism in the late 1980s, Albania became a democratic Republic in 1991.

However, the effects of the transition from a centralized economy in a rigid communist state to a free market economy in a democratic republic have weighed heavily on Albania’s people, and particularly on its poor people. Despite the economy’s robust growth in recent years, almost one quarter of the population lives below the poverty level of $2 (U.S.) a day.

Albanians treatment of Jews during World War II proves “that there are far more good people in the world than bad,” Gershman said. “This little country—they have something to teach the world.”

The Presenting Sponsor of the new Museum exhibit, “BESA: A Code of Honor,” is the Carl B. & Florence E. King Foundation. Community Partners include the Albanian-American Cultural Center, Texas-Israel Chamber of Commerce and Congregation Beth Torah. Running through June 18, the exhibit is free with admission. More information at DallasHolocaustMuseum.org

-Chris Kelley, for the Dallas Holocaust Museum/Center for Education and Tolerance

For Magie Furst and her family, the lifeline to safety and freedom came through the Upstanders of Great Britain

Magie Furst

Magie Furst

 

The Museum’s current exhibit, A History of the Kindertransport, now through Feb. 28, features the story of Dallas resident Magie Furst and her brother, Bert, who were both saved through the British rescue operation. On Feb. 2, Magie told her story to a standing-room only crowd of 140 Museum members and visitors. This is the story she told.

In 1932, Alfred and Sida Romberg were proud parents of a daughter and son born just a year apart, living a wonderful life in the small German village of Astheim, near Nuremburg, where they owned a general merchandise store.

But a year later, following the appointment of Adolph Hitler as German Chancellor, the Romberg’s tranquil life became a nightmare. Before 1934 came to an end, Alfred Romberg was dead—a heart attack brought on by stress from aggressive perpetrators.

The Rombergs were upstanding citizens once beloved by the entire village. But all that changed when Hitler’s Nazi party came to power. The Rombergs were Jewish.

Following Alfred’s death, Sida Romberg was left alone to raise 5-year-old Magie and 4-year-old Bert. When the anti-Semitism worsened, Sida was forced to sell the store for a fraction of its value and moved the children to the larger town of Eshwege, Germany, where other family resided.

The years in Eshwege were brutal, recalled Magie, now 84.

“Those were bad years, because Hitler was in full force already. We had restrictions on going to school. We went to an all Jewish school until some of the teachers emigrated. And then after Kristallnacht (Nov. 9-10, 1938), we didn’t have school anymore…the Hitler youth, they went after us whenever we went out.

“I remember we went out to get a loaf of bread, and they took the loaf right out of my hand. They wanted to smash it on my brother’s head, but I stood in front of him, so I got the beating instead. I must have been eight years old.”

Following Kristallnacht— a series of coordinated attacks against Jews throughout Nazi Germany and parts of Austria, carried out by SA paramilitary forces and non-Jewish civilians (the German authorities looked on without intervening)—Sida Romberg knew her children had no future in Germany and set out to find visas for them to leave Germany. At the time, Germany was still issuing visas to Jews and others who could prove they had relatives or a sponsoring organization in another country.

When her mother learned of the Kindertransport program, a rescue mission that took place during the nine months prior to the outbreak of the WWII, she seized the opportunity to send her daughter and son to the United Kingdom, which took in nearly 10,000 predominantly Jewish children from Nazi Germany, Austria, Czechoslovakia, Poland, and the Free City of Danzig. Children of the Kindertransport were placed in British foster homes, hostels, schools and farms.

In an extraordinary stroke of good fortune, Sida Romberg received permission to work as a domestic servant in England.  The three of them prepared to leave for England together.

Saying goodbye to her grandmother, Magie said, was one of the most painful moments of her life. Her grandmother had been a source of stability and comfort, following the sudden death of Magie’s father, Alfred. Tragically, the Nazis would eventually remove her grandmother from a home for the elderly and deport her to Auschwitz, where she was murdered.

On May 23, 1939, Sida Romberg and her two children arrived in England, but once there were separated as Sida did not earn enough to support herself and her children.

Bert was placed with a wonderful family. Magie did not fare so well. “I became a cheap maid in a family headed by an abusive man,” she said. After a month of suffering, Magie was sent to an orphanage to live.

While the war years in England were tough, Magie said she, Bert and her mother were eternally grateful to the people of Great Britain. “They opened their hearts and homes to us when no other country—not even the United States—would do so,” she said.

Sida Romberg never gave up hope for reuniting the family, and in April, 1945, just a month before the formal end of WWII, the three Rombergs received visas to emigrate to the U.S.

“There is no country like the United States in this world,” Magie said.

Settling in the New York City metro area, the Rombergs thrived. Eventually, Magie would marry and accompany her husband in 1963 to the Dallas area. Three years later, Bert also moved to Dallas after receiving a great job opportunity. Wishing to be near the children she sought so valiantly to protect, Sida Romberg also made the move to Texas.

As she reflects on her rare experience as a rescued child of the Kindertransport, Magie is grateful for being spared the horrors of war even though the separation from loved ones was difficult. And, she feels obligated to share her story as a regular speaker before student groups—sometimes three and four times a week—who visit the Museum.

“We are supposed to be our brother’s keeper,” she said. “We need to make sure that children of the future never have to endure what my generation did.”

“A History of the Kinderstransport” exhibit is made possible by the generosity of Ann Donald Zetley & Florence and Howard Shapiro in Loving Memory of Martin Donald.

–Chris Kelley, for the Dallas Holocaust Museum

 

 

 

 

 

 

 

For Kindertransport Families, an Inconceivable Choice

It’s an inhumane choice that no parent should ever have to face: leave a child with a complete stranger, so the child might have a chance to survive persecution and, ultimately, avoid being murdered—or keep the child and most assuredly risk his or her life.

But for tens of thousands of mostly Jewish families during World War II, this incomprehensible decision became one they were forced to make.

The Kindertransport was a British rescue operation that enabled 10,000 primarily Jewish children to escape the Nazis in the months leading up to the declaration of WW II. The initiative required a convergence of simultaneous efforts over a compressed time frame—speedy immigration policy creation, collaboration among diverse religious groups and, perhaps, most importantly, the bravery of individuals.

“A History of the Kindertransport” is the subject of the newest special exhibit at the Dallas Holocaust Museum/Center for Education and Tolerance.  Running through Feb. 28, the exhibit is free with paid admission. On Sunday, Feb. 2, at 2 p.m. at the Museum, Dallas resident Magie Furst, a Kindertransport refugee, will tell her first-hand story at a special program.

“What do you say to a child that you, a mother, are about to confide to a stranger—a child you most likely will never see again?” asked Dr. Charlotte Decoster, Education and Public Engagement Coordinator for the Dallas Holocaust Museum/Center for Education and Tolerance, at a special lecture on Jan. 16 entitled “The Last Kiss: Parents Saying ‘Goodbye’ During the Holocaust.”

For parents who applied to participate in the Kindertransport, the special immigration initiative was the only option for their children to escape persecution and almost certain death as Jewish families were rounded up and deported, ultimately, to death camps, said Dr. Decoster, an expert in the study of children hidden and rescued during the Holocaust.  In most cases, parents and their rescued children never saw one another again after the moment of separation, she said.

Through her research, Dr. Decoster, who is also an adjunct professor of history at the University of North Texas, where she received her Ph.D., discovered a painful process parents endured in separating from their children—from awareness of the option to save their children through coping with the aftermath of permanent separation from them.

At one deportation camp in southern France, where parents voluntarily turned 108 children over to Nazi resistance fighters who would see to the safety and security of the children, later research would reveal that 28 of the parents committed suicide.

“For the majority of parents who participated in the Kindertransport and similar child rescue efforts, they did what they thought was necessary—the hope of survival for their children and, by circumstance, their Jewish culture, heritage and religious practices,” Dr. Decoster said.

In most cases, rescued Jewish children were taken in by Christian families, including Catholics, and in some select cases Muslim families. While many of the children were allowed to practice Judaism, evidence reveals some efforts at converting the children to Christianity, Dr. Decoster said.

The Museum’s Kindertransport exhibit allows students to contemplate the event from the perspective of a child, offering them the opportunity to ask themselves the question—and leave behind their answers on a colored index card—“What treasured item would you bring?”

In the final analysis, the story of the Kindertransport, like many from the Holocaust, reflects themes rooted in the depravity of humanity and in its nobility, Dr. Decoster said. In the face of evil behavior that surely would have seen children murdered otherwise, “We saw Jewish, Christian and Muslim communities make a decision to act and do something to ensure the survival of children.”

Presenting sponsors for the Kindertransport exhibit are Ann Donald Zetley and Florence and Howard Shapiro in loving memory of Martin Donald. Community Partners include Catholic Charities of Dallas and the Human Rights Initiative of North Texas.

Tickets to the Feb. 2 program featuring Margie Furst are $5 each. Register online at DallasHolocaustMuseum.org or RSVP to rsvp@dallasholocaustmuseum.org and pay at the door.

 –Chris Kelley, for the Dallas Holocaust Museum/Center for Education and Tolerance.

 

 

 

 

Lynching Revisited: How Could It Have Possibly Happened? Keynote Speaker Introduces Newest Exhibit, “Seeking Justice: The Leo Frank Case Revisited”

Leo Frank

Leo Frank

Leo Frank was the victim of a twisted mentality—a mob mentality rooted not only in anti-Semitism, but in a weakness in Georgia’s legal system, national economic and political turmoil and complex psychological factors involving gender, fear and stereotypes, says Professor William Carrigan.

Dr. Carrigan, a Professor of History at Rowan University in New Jersey and keynote speaker at the Museum’s opening reception for the newest exhibit, “Seeking Justice: The Leo Frank Case Revisited,” is an expert on lynching.

The Museum’s comprehensive exhibit on the Leo Frank Case tells how in 1913 a jury convicted Frank, a superintendent in a pencil factory in Atlanta, Georgia, of the murder of a child laborer who worked in the factory. Thirteen-year-old Mary Phagan’s body was found in the pencil factory cellar.

To the outrage of many, Governor John Slaton, who believed Frank was innocent, commuted the former superintendent’s sentence to life in prison on his last day in office in June 1915.

Two months later, a lynch mob of 25 armed men, which included a judge, a solicitor general of a local circuit, a state legislator and an ex-governor, kidnapped Frank from prison. The mob drove Frank 150 miles to Frey’s Gin, near Phagan’s home in Marietta, and hanged him. A large crowd gathered and took photographs.

“There are just evil, bad people in the world,” Dr. Carrigan told a crowd of 85 people who attended his presentation in the Museum’s Theater on Sept. 9. “But in nearly all cases, lynching involves a mob culture ruled by a mentality permitted by a weakness in the legal system and support…by local law enforcement.”

Dr. Carrigan said a lynching culture—a phenomena seen around the globe, historically—viewed the alleged perpetrator’s crime as so heinous that mob members were permitted to act as jury, judges and executioners, nearly always before a large, cheering crowd.

In the U.S., nearly 3,500 African Americans and 1,300 whites were lynched between 1882 and 1968, mostly from 1882 to 1920, according to figures collected by the Archives of the Tuskegee Institute. Other people of color were also lynched—Native Americans and Mexicans.

It wasn’t until the practice was confronted and condemned by good people and a concerted effort to prosecute violators initiated, that it ended, said Dr. Carrigan, whose many books on the subject include The Making of a Lynching Culture: Violence and Vigilantism in Central Texas, 1836-1916 (University of Illinois Press, 2004).

The Frankcase was the ultimate catalyst for the fledgling Anti-Defamation League in 1913. The NAACP—formed in 1909—also contributed greatly to confronting ethnic and racial discrimination, and specifically lynching in early 20th century America, Dr. Carrigan said. Tragically however, the case helped ignite the rebirth of the Ku Klux Klan.

“I would like to create our own ‘garden of the righteous’ to remember those who stood up against the lynch mobs,” Dr. Carrigan said. “We would be a better society to remember those folks rather than the mobsters.”

In 1986, the Georgia State Board of Pardons and Paroles pardoned Leo Frank, citing the state’s failure to protect the superintendent and bring his killers to justice as reasons for the pardoning.

The Museum presents this exhibit with the same intent as The William Breman Jewish Heritage Museum, which developed it. To revisit the case of Leo Frank and pose critical questions relating to individual and moral responsibility, respect for individual difference, the fragility of the democratic process, responsible citizenship, and the importance of community.

The exhibit presents the complicated and nuanced story of Mary Phagan’s murder, Leo Frank’s fate, and the historical, cultural, and political backdrop against which these events took place.

“Seeking Justice: The Leo Frank Case Revisited” will run through Dec. 31. The exhibit is generously supported by The Dallas Morning News and Brian Lidji, attorney and co-founder of the Lidji Dorey & Hooper law firm in Dallas.

Exhibit Dates: September 9, 2013 through December 31, 2013

Location: Dallas Holocaust Museum/Center for Education and Tolerance, 211 N. Record Street, Dallas, TX 75202 (In the West End Historic District of downtown Dallas at the southwest corner of Pacific and Record.)

Hours: Monday-Friday 9:30 a.m.-5 p.m.; Saturday and Sunday 11 a.m.—5 p.m.

Community Partners: African-American Museum, Dallas; Anti-Defamation League; Black Classic Books, Baltimore, MD; Human Rights Initiative of North Texas; NAACP Dallas Chapter; SMU Embrey Human Rights Program; University of North Texas, Jewish Studies Program.

-Chris Kelley, for the Dallas Holocaust Museum

Podcast of Think (KERA-90.1 FM) with Dr. Carrigan

 

Delayed Justice: New Museum Special Exhibit Opening Sept. 1 Reexamines Historic Controversial Case

Leo Frank

Leo Frank

This exhibit, examines anti-Semitism in America. Through a large number of artifacts, it revisits the murder case and trial that ultimately captured the attention of the nation and led to the lynching of a Jewish man in Marietta, GA in 1915.

Exhibit Dates: September 1, 2013 through December 31, 2013

Location: Dallas Holocaust Museum/Center for Education and Tolerance, 211 N. Record Street, Dallas, TX 75202 (In the West End Historic District of downtown Dallas at the southwest corner of Pacific and Record.)

Hours: Monday-Friday 9:30 a.m.-5 p.m.; Saturday and Sunday 11 a.m. – 5 p.m.

For Leo Frank, justice arrived too late to prevent his tragic and unlawful lynching. Today, however, his story finds a measure of redemption, serving as a powerful reminder of the evils of prejudice, hatred and indifference.

The Dallas Holocaust Museum will host its newest special exhibit, “Seeking Justice: The Leo Frank Case Revisited,” beginning Sept. 9. The exhibit will run through Tuesday, Dec. 31.

“Seeking Justice” will examine anti-Semitism in America. Through a large number of artifacts, the exhibit revisits the murder case and trial of Frank, which captured the attention of a nation a century ago.

In 1913, a jury convicted Frank, a Jewish superintendent in a pencil factory in Atlanta, Georgia, of the murder of a child laborer who worked in the factory. Thirteen-year-old Mary Phagan’s body was found in the pencil factory cellar.

Frank’s conviction came after a long trial. To the outrage of many, Governor John Slaton, who believed Frank was innocent, commuted the former superintendent’s sentence to life in prison on his last day in office in June 1915.

Two months later, a lynch mob of 25 armed men, including pillars of Georgia’s legal community, kidnapped Frank from prison. The mob drove Frank 150 miles to Frey’s Gin, near Phagan’s home in Marietta, and hanged him. A large crowd gathered and took photographs.

In 1986, the Georgia State Board of Pardons and Paroles pardoned Frank, citing the state’s failure to protect the Jewish superintendent and bring his killers to justice as reasons for the pardoning.

The pardon was inspired in part by the 1982 testimony of Alonzo Mann, who as an office boy saw Jim Conley carrying Mary Phagan’s body to the basement on the day of her death. Conley had threatened to kill Mann if he said anything, and the boy’s mother advised him to keep silent.

The testimony gave confirmation to those who thought Frank was innocent. However, those who found Frank guilty still believed the testimony provided insufficient evidence to change their views.

The trial had long- and far-reaching impact. It struck fear in Jewish southerners, causing them to monitor their behavior in the region closely for the next 50 years—until the civil rights movement led to more significant changes.

The Leo Frank caused ripples well beyond Atlanta, GA. The case ignited the rebirth of the KKK and solidified the founding of the Anti-Defamation League.

We present this exhibit with the same intent as The William Breman Jewish Heritage Museum, which developed it.

To revisit the case of Leo Frank and pose critical questions relating to individual and moral responsibility, respect for individual difference, the fragility of the democratic process, responsible citizenship, and the importance of community.

The exhibit presents the complicated and nuanced story of Mary Phagan’s murder, Leo Frank’s fate, and the historical, cultural, and political backdrop against which these events took place.

July Events Promise to Enlighten and Embolden Museum Visitors

Rita Blitt

Rita Blitt

July 1:  Rita Blitt’s Reaching Out from Within: Stories of Perseverance 

Rita Blitt is an international, award winning painter, sculptor and filmmaker.

“When I create, I feel like I’m dancing on paper.” says Blitt about her passion for art. She began painting as a child and has lived a life filled with creativity and achievements.

Today, her paintings, drawings and sculptures have been featured in exhibitions in Singapore, Israel, Germany, Japan, Taiwan and Norway. She also has permanent exhibits in museums, galleries and public settings around the world.  She collaborated with other artists to create films including “Blur,” “Visual Rhythms” and “Caught in Paint,” which was shown at the 2008 Cannes Film Festival.  Blitt also authored The Passionate Gesture and Reaching Out From Within.

Her work goes beyond the aesthetically pleasing to her efforts to make the world a better place. “Kindness is Contagious, Catch It!” is a poster Blitt created as a gift to the STOP Violence Coalition, but its world-wide popularity resulted in her presenting prints to every member nation of the United Nations. The Blitt family underwrites the Blitt Family Creative Arts Center at Synergy Services, a violence prevention and intervention center in Parkville, Mo.

Thirteen of Blitt’s colorful and dramatic pieces of sculpture and paintings, an exhibit entitled “Reaching Out from Within: Stories of Perseverance through Art,” will be on display at the Museum from July 1 through August 25, 2013.

July 11: Iraqi war translator Munir Captain

Join the Dallas Holocaust Museum on July 11 as Iraqi war translator Munir Captain shares his stories of despair, freedom and hope.

From 2003 to 2009, Munir Captain and his brother, Omar, served as translators to U.S. forces in their native Iraq.

New residents of North Texas, these brave men still have family in Baghdad, so their personal stories are not only current but relevant as family members in Iraq have faced reprisals for the brothers’ decisions to support American forces and their decision to live as refugees in the U.S.

The brothers bring interesting perspectives on the importance of the regime change in Iraq, the nature of the long insurgency there, the character of the American soldiers, the prospects for Iraq going forward and their own assimilation into American life.

Hear Murnir Captain speak at the Museum theater, 211 N. Record Street Thursday, July 11, 2013 at 6:30 p.m.

Don’t Miss Summer 2013! Programs, Plays and Presentations All Part of Museum Lineup

Dr. Geoffrey Megargee

Dr. Geoffrey Megargee

June 6: USHMM Researcher to Detail Findings on Vastly Larger Number of Death Camps, Other Nazi Facilities During Holocaust

Thirteen years ago, researchers at the United States Holocaust Memorial Museum began the dismal task of documenting all the ghettos, slave labor sites, concentration camps and killing factories that the Nazis set up throughout Europe.

Historians anticipated there would be 7,000 camps and ghettos, but what they found has shocked even scholars, proficient in the history of the Holocaust.

Dr. Geoffrey Megargee was at the heart of the research project that led to the shocking discovery of not 7,000, but 42,500 camps and ghettos across Europe.

This story captured world interest when released in the New York Times in March 2013.

Now you can hear Dr. Geoffrey Megargee tell the story “How the Holocaust Just Got A Lot More Shocking.”

Join the Dallas Holocaust Museum Thursday, June 6, at 6:30 p.m. in Dallas Hall at SMU McCord Auditorium, as Dr. Megargee shares the details of the research and the discoveries, and learn what impact this will have on Holocaust studies. There is no charge to attend the lecture, however, please RSVP at RSVP@DallasHolocaustMuseum.org .

Lev Aronson

Lev Aronson

June 11: “Concert in the Atrium” to Celebrate Life of the Late Lev Aronson

The Dallas Holocaust Museum presents “Concert in the Atrium” on Tuesday, June 11, at 1:30 p.m. in the atrium of the Museum, 211 N. Record Street.

The concert will feature cellists who are in Dallas for the The First Annual Lev Aronson Legacy Festival Week at SMU, among them festival creator and renowned cellist, Brian Thornton.

Lev Aronson, the world-renowned cellist and Holocaust survivor, was an incredible, blossoming solo cellist in his day. When he was interred in labor and concentration camps in World War II, and his prized Amati cello taken from him, he began to “think-sing” the concertos he knew from memory, establishing a sense of time and patience that gave him the strength to survive.

After the war, Aronson became the principal cellist in the Dallas symphony and he was renowned worldwide as a teacher of cello. “It is my turn to help keep his memory alive,” Thornton says of his beloved teacher.

Thornton is a member of the Cleveland Orchestra and creator of the Lev Aronson project, a CD showcasing beautiful melodies for cello and piano created by Lev Aronson.

The Timekeepers

The Timekeepers

June 12: Ground-breaking Play The Timekeepers Begins Limited Run

Dan Clancy’s award-winning play The Timekeepers is a Holocaust drama set at Sachsenhausen concentration camp in World War II Germany.

It tells the story of prisoners Benjamin, a conservative, elderly Jewish watchmaker put to work at his trade by the camp commander, and Hans, an outrageous young German homosexual who’s been assigned as Benjamin’s assistant. In spite of their dire circumstances and vast differences, the men form a strong bond over their shared love of opera and their wicked sense of humor.

The Timekeepers has played in London, Israel, Ireland, Canada, Poland, Germany and New York, and has generated glowing reviews.  Dealing with the Holocaust in a way that accentuates the private experience of a horrific tragedy affecting millions, it became the most performed Israeli piece of theater in the world.

The Dallas Holocaust Museum/Center for Education and Tolerance, Theatre New West and theater director, Joe Watts, are collaborators for the production, which will be held June 12 through June 15 and June 21 and 22.   June 12 is a special  “pay-what-you-can” night.  Admission for the remaining performances is $20.  Tickets can be purchased through Event Brite at http://thetimekeepers.eventbrite.com

The curtain rises at 7:30 p.m. and, for Friday and Saturday performances, at 8 p.m. The play will be performed in the Museum theater. The adult content of this production is not suitable for young children.

Rita Blitt

Rita Blitt

July 1: New Special Exhibit Opens Featuring “Stories of Perserverance”

Rita Blitt is an international, award winning painter, sculptor and filmmaker.

“When I create, I feel like I’m dancing on paper.” says Blitt about her passion for art. She began painting as a child and has lived a life filled with creativity and achievements.  Today her paintings, drawings and sculptures have been featured in exhibitions in Singapore, Israel, Germany, Japan, Taiwan and Norway. She also has permanent exhibits in museums, galleries and public settings around the world.  She collaborated with other artists to create films including “Blur,” “Visual Rhythms” and “Caught in Paint,” which was shown at the 2008 Cannes Film Festival.  Blitt also authored The Passionate Gesture and Reaching Out From Within.

Her work goes beyond the aesthetically pleasing to her efforts to make the world a better place. “Kindness is Contagious, Catch It!” is a poster Blitt created as a gift to the STOP Violence Coalition, but its world-wide popularity resulted in her presenting prints to every member nation of the United Nations. The Blitt family underwrites the Blitt Family Creative Arts Center at Synergy Services, a violence prevention and intervention center in Parkville, Mo.

Thirteen of Blitt’s colorful and dramatic pieces of sculpture and paintings, an exhibit entitled “Reaching Out from Within: Stories of Perseverance through Art,” will be on display at the Museum from July 1 through August 25, 2013.

Come hear Iraqi War translator Munir Captain on July 11, 2013

Come hear Iraqi War translator Munir Captain on July 11, 2013

July 11: Iraqi War Translator to Share his Stories of Despair, Freedom and Hope

Join the Dallas Holocaust Museum on July 11 as Iraqi war translator Munir Captain shares his stories of despair, freedom, and hope.

From 2003 to 2009, Munir Captain and his brother, Omar, served as translators to U.S. forces in their native Iraq.

New residents of North Texas, these brave men still have family in Baghdad, so their personal stories are not only current but relevant as family members in Iraq have faced reprisals for the brothers’ decisions to support American forces and their decision to live as refugees in the U.S.

The brothers bring interesting perspectives on the importance of the regime change in Iraq, the nature of the long insurgency there, the character of the American soldiers, the prospects for Iraq going forward and their own assimilation into American life.

Hear Munir Captain speak at the Museum theater, 211 N. Record Street Thursday, July 11, 2013 at 6:30 p.m.

 

--By Shelia Huffman, for the Dallas Holocaust Museum

Every Child Has a Name: Childhood Memory Project

Remember when you were a child? They toys you loved, the games you played? In our newest exhibit, Every Child Has a Name, we have a selection of children’s artifacts–toys, drawings, and other things that belonged to the children of the Holocaust. While some of the artifacts are reproductions of the originals, the reminder that children were there to witness the horrible acts of that time is very real.

This is a reproduction of a game similar to Monopoly--except for the fact that the setting is a Jewish ghetto.

As part of this exhibit, we are creating a virtual gallery on Facebook. If you or someone you know has any toys or children’s artifacts from the WWII period, especially from Europe, you can be part of this new venture. All you need to do is head over to our Facebook page (http://facebook.com/dhmcet) and post a picture of the artifact, along with a brief history. We would love to know where the toy is from, who it belonged to, etc. This community-created project will give all of our supporters a chance to share their histories and to learn about the WWII era in a new way that is far more interesting  and personal than what you could find in the pages of a book.

Please help us honor the memory of the children of the Holocaust, and the children of WWII, by sharing your photographs and memories if you can. If you do not have an artifact to share, you can still share a memory, story, or your thoughts!

Post Navigation

Follow

Get every new post delivered to your Inbox.