Upstander Connection

Dallas Holocaust Museum/Center for Education and Tolerance

Archive for the category “tolerance”

Holocaust scholar to present special lecture on the Łódź Ghetto of World War II Poland

Lodz Ghetto

Lodz Ghetto

University of Toronto Holocaust scholar Dr. Irena Kohn, an expert on Nazi-mandated Jewish ghettos of WW II, will present a special lecture on July 24 in conjunction with a new exhibit at Dallas Holocaust Museum/Center for Education and Tolerance.

Dr. Kohn’s focus will be the Łódź Ghetto of Poland, the subject of a new Museum exhibit, The Faces of the Ghetto: Their Lives are Our Lessons, which features documents and photographs illustrating the plight of Jewish inhabitants of the ghetto.

Her presentation will focus on songs, photographs and presentation albums created by inmates of the ghetto, including The Legend of the Prince—a lengthy children’s poem with allegorical underpinnings.

The exhibit can be viewed for an hour prior to the lecture, which begins at 6:30 p.m., and for thirty minutes afterward. Admission to the lecture is free for Museum members and $10 for non-Museum members. RSVPs requested at rsvp@DallasHolocaustMuseum.org

The Łódź Ghetto was quickly established by Nazi forces after the invasion of Poland in 1939, and eventually housed more than 160,000 Jews who were forced to live in unbearable conditions—overcrowded spaces and unsanitary housing and subjected to forced starvation.

The Łódź Ghetto’s Jewish Council hired two Jewish photographers, Mendel Grossman and Henryk Ross, to clandestinely take photos of Jews working inside the ghetto. The Jewish Council hoped the photos would prove to the Nazis that the work of Łódź’s Jewish inhabitants, and therefore their lives, were necessary to the war effort.

At great personal risk, Grossman and Ross bravely and faithfully documented Jewish life in the ghetto—far beyond their directive—by taking thousands of photographs, which they managed to hide just before being deported to death camps.

Faces of the Ghetto presents their work in oversize prints, bringing museum visitors face-to-face with the Jewish victims of Nazism and extreme intolerance and ensuring that the world will know of life in the ghetto as captured on film by sympathetic observers.

The images capture the nearly imperceptible sparks of individual hope smoldering in the eyes of suffering Jewish men, women, and children—as if to say where ever there is life, there is hope.

Dr. Kohn will also interpret some of the thought processes behind the Faces of the Ghetto, providing context and enhancing the audience’s experience of the exhibit, which is made possible by a generous donation of an anonymous donor and the presenting sponsor, Frost Bank.

Dr. Kohn wrote her doctoral dissertation at the University of Toronto (2008) on literary and artistic witness accounts of the Lodz Ghetto. Her work included analysis of the photos taken by Grossman and Ross.

 

 

At Yom Hashoah 2014, the Power and Passion of Memory Stirs Hearts, Souls As A City Remembers

Appearing frail but unbowed, deeply saddened but not wrecked, the Holocaust Survivors of North Texas filed into Temple Shalom for the Museum’s annual observance of Yom Hashoah, and the audience of 450 joined them to remember.

Yom Hashoah, or Holocaust Remembrance Day, is the day across the globe set aside to remember the atrocities and effects of the Holocaust by honoring those who survived and solemnly remembering those who perished. The observance of Yom Hashoah is a testament to how the Holocaust changed the world.

Following the procession of local Survivors into the sanctuary, Cantor Leslie Niren of Temple Emanu-el performed a moving partisan song Shtil, Di Nakht Ez Oysgeshternt, or “Quiet, the night is starry.”

“As we recall the horrors of the Holocaust,” said Rabbi Andrew Paley of Temple Shalom in his welcome to the April 27 event, “as we remember and honor the stories of survival and survivors, of endurance and perseverance, let us not be content to merely be informed. We will remember. We shall never forget. We shall be different and we shall transform this suffering into blessing for all the world.”

Museum President and CEO Mary Pat Higgins thanked the local Survivors in attendance for their “courage, spirit and inspiration” and for serving as “a beacon of truth and moral authority.” But, she noted, “We are not free of the dangerous root of the core of the Holocaust.”

And then, in a collective affirmation of humanity’s light over its darkest side, the grandchildren of Survivors made their way to front to tell the stories of their beloved grandparents and to declare their lifelong commitment to keep their stories alive for their children and their grandchildren.

Aviva Linksman, granddaughter of Mike Jacobs; Rivae Balkin-Kliman, granddaughter of Gusta Kliman, and Augie Furst, grandson of Magie Furst, spoke first.

Tanya Johnson, granddaughter of Velvel Wolf Yonson and Leah Bedzowski Yonson; Elliott Tverye, grandson of Asye Tverye; and Lisa Hellman, granddaughter of Dahlia Hellman, completed the testimonies.

Upon concluding their stories, each grandchild ignited a symbolic torch in honor of their loved ones—and all who survived and perished the Holocaust.

Following the first three speakers and upon conclusion of the last three, musical interludes performed by two incredibly talented musicians featured works by Chopin, Kreisler and Debussey.

Playing the piano for the ceremony was Dr. Baya Kakouberi who is originally from Tbilisi, Georgia and is currently the Artistic Director of the Blue Candlelight Music Series in Dallas. Gary Levinson of St. Petersburg, Russia performed on a Stradivari violin, crafted in 1726 and courtesy of the Dallas Symphony Association. Gary is the Artistic Director of the Chamber Music Society of Fort Worth.

Steve Waldman, Museum board chair, echoed the feeling of many in attendance when he concluded the ceremony, saying,  “…Isn’t it amazing that so very few Holocaust Survivors became demoralized and turned to anger, violence and revenge? Isn’t it amazing that people who suffered long years living in the most horrific conditions and people who lived through the near total deprivation of life, reacted, after Liberation, by enthusiastically embracing life. The near-unanimous reaction of Holocaust survivors was to marry, to bear children.”

Steve reflected on the profound impact survivors have had on the community and on those in attendance. About 125 Holocaust refugees, survivors, and hidden children reside in the Dallas-Fort Worth area.

“We are truly fortunate that hundreds of Holocaust survivors came to North Texas in order to live among us. We are grateful to them for contributing to making this a wonderful place to live and to raise families.” Steve ended his remarks by declaring Yom Hashoah “a day upon which the whole community can stand together and pledge: Never again. Not here. Not anywhere.”

Cantor Leslie Niren returned to perform El Maleh Rachamim, or “Merciful G_d.” Rabbi Paley led the Kaddish, or “The Mourner’s Prayer,” which marked the formal end of the ceremony.

A beautifully designed Book of Remembrance produced by the Museum was a treasured keepsake of the evening—a book dedicated to the victims of the Holocaust with pages filled with messages of love and remembrance from families of victims and survivors.

As the audience filed out of the sanctuary, the powerful words spoken earlier in the evening by Rabbi Paley seemed to silently echo throughout Temple Shalom—a takeaway message for this and future remembrances.

“Memory is a powerful tool,” Rabbi Paley said. “Memory has the power to educate – to transmit facts and events from one generation to another.  Memory has the power to inspire – to provide a measure of hope and possibility against the overwhelming odds of darkness and despair.  But, perhaps most importantly, memory has the power to transform – to take that which was, and provide meaning and relevance for those that come after, to be different, to be better, to be stronger, to be more courageous and to, hopefully, be more God-like.”

–Chris Kelley, for the Dallas Holocaust Museum/Center for Education and Tolerance

Schindler’s List: Timeless Treasure 20 Years After First Released

The schindlers_listessential message of Steven Spielberg’s 1993 classic film Schindler’s List—widely considered one of the best films ever made—remains timeless because it tells the story of one man’s willingness to make a difference.

“This film’s themes of tolerance and one man making a difference are as important today as they were 20 years ago,” Steve Waldman, chair of the Board of the Museum, told about 200 people who attended an exclusive screening of the movie at Landmark Theatres’ Inwood Theater on April 24 to benefit the Museum and the USC Shoah Foundation.

The screening of the film on the big screen required Mr. Spielberg’s special permission; he views the film as a documentary whose depictions must be treated with respect and contextual understanding.

The film is based on the life of Oskar Schindler, a German businessman who saved the lives of more than a thousand mostly Polish-Jewish refugees during the Holocaust by employing them in his factories. The movie stars Liam Neeson as Schindler.

Schindler’s List was a critical and commercial success, earning $321.2 million worldwide on a $22 million budget ($35.9 million in 2014 dollars). From 12 nominations, it received seven Academy Awards, including Best Picture, Best Director, Best Adapted Screenplay, and Best Original Score, as well as numerous other awards.

With some of the proceeds from the film, Mr. Spielberg established the USC Shoah Foundation to capture the eyewitness testimony of Holocaust Survivors worldwide, as well as those of survivors of other genocides, as a lasting archive. More than 52,000 eyewitness accounts have been recorded by the Foundation—among them many from Holocaust Survivors from the Dallas-Fort Worth area.

“We are honored to be partners with the USC Shoah Foundation in our work to enlighten and inspire people as they think about the consequences of their choices by remembering and teaching the lessons learned from the Holocaust and other genocides,” Steve Waldman said.

Sylvia Moskovitz, Director of Development for the Shoah Foundation, thanked the Museum for its work and mission and for partnering with the foundation. “The testimonies (recorded by the Shoah Foundation) will be available forever as a voice of hope, for education and as a stand against hatred, bigotry and intolerance,” she said.

Museum President Mary Pat Higgins thanked the Museum’s Host Committee for the success of the event: Richard Krumholz (chair), Michelle Bassichis, Jason Downie, Robert Hoodis, Stephanie London, Michael Stern and Alison Weinstein.

Major sponsors for the event were Landmark Theatres, a generous donation in honor of Drs. Michelle and Benjamin Bassichis, Renee and Hill A. Feinberg, Norton Rose Fulbright/Richard Krumholz, Sheri and Andrew Rose and Alison Weinstein.

The Museum is planning another must-attend event on May 15. Philip Gourevitch of The New Yorker will speak at 6:30 p.m. at the Hughes-Trigg Student Center at SMU, 3140 Dyer St. in Dallas on his award-winning book, We Wish to Inform You that Tomorrow We Will Be Killed With Our Families. The book tells of the amazing efforts to bring forgiveness and healing to attackers and survivors, murderers, orphans, widows and childless mothers who now live side-by-side in Rwanda, 20 years after the genocide there. Admission to the event is $10. RSVP to communications@DallasHolocaustMuseum.org. The presenting sponsor for the event is Bank of Texas.

Meantime, the Museum’s current special exhibit is “BESA: A Code of Honor,” through June 18, which tells the incredible story of the hospitality and love of Albanian Muslims who saved Jews during World War II.

–Chris Kelley, for the Dallas Holocaust Museum/Center for Education and Tolerance

For Magie Furst and her family, the lifeline to safety and freedom came through the Upstanders of Great Britain

Magie Furst

Magie Furst

 

The Museum’s current exhibit, A History of the Kindertransport, now through Feb. 28, features the story of Dallas resident Magie Furst and her brother, Bert, who were both saved through the British rescue operation. On Feb. 2, Magie told her story to a standing-room only crowd of 140 Museum members and visitors. This is the story she told.

In 1932, Alfred and Sida Romberg were proud parents of a daughter and son born just a year apart, living a wonderful life in the small German village of Astheim, near Nuremburg, where they owned a general merchandise store.

But a year later, following the appointment of Adolph Hitler as German Chancellor, the Romberg’s tranquil life became a nightmare. Before 1934 came to an end, Alfred Romberg was dead—a heart attack brought on by stress from aggressive perpetrators.

The Rombergs were upstanding citizens once beloved by the entire village. But all that changed when Hitler’s Nazi party came to power. The Rombergs were Jewish.

Following Alfred’s death, Sida Romberg was left alone to raise 5-year-old Magie and 4-year-old Bert. When the anti-Semitism worsened, Sida was forced to sell the store for a fraction of its value and moved the children to the larger town of Eshwege, Germany, where other family resided.

The years in Eshwege were brutal, recalled Magie, now 84.

“Those were bad years, because Hitler was in full force already. We had restrictions on going to school. We went to an all Jewish school until some of the teachers emigrated. And then after Kristallnacht (Nov. 9-10, 1938), we didn’t have school anymore…the Hitler youth, they went after us whenever we went out.

“I remember we went out to get a loaf of bread, and they took the loaf right out of my hand. They wanted to smash it on my brother’s head, but I stood in front of him, so I got the beating instead. I must have been eight years old.”

Following Kristallnacht— a series of coordinated attacks against Jews throughout Nazi Germany and parts of Austria, carried out by SA paramilitary forces and non-Jewish civilians (the German authorities looked on without intervening)—Sida Romberg knew her children had no future in Germany and set out to find visas for them to leave Germany. At the time, Germany was still issuing visas to Jews and others who could prove they had relatives or a sponsoring organization in another country.

When her mother learned of the Kindertransport program, a rescue mission that took place during the nine months prior to the outbreak of the WWII, she seized the opportunity to send her daughter and son to the United Kingdom, which took in nearly 10,000 predominantly Jewish children from Nazi Germany, Austria, Czechoslovakia, Poland, and the Free City of Danzig. Children of the Kindertransport were placed in British foster homes, hostels, schools and farms.

In an extraordinary stroke of good fortune, Sida Romberg received permission to work as a domestic servant in England.  The three of them prepared to leave for England together.

Saying goodbye to her grandmother, Magie said, was one of the most painful moments of her life. Her grandmother had been a source of stability and comfort, following the sudden death of Magie’s father, Alfred. Tragically, the Nazis would eventually remove her grandmother from a home for the elderly and deport her to Auschwitz, where she was murdered.

On May 23, 1939, Sida Romberg and her two children arrived in England, but once there were separated as Sida did not earn enough to support herself and her children.

Bert was placed with a wonderful family. Magie did not fare so well. “I became a cheap maid in a family headed by an abusive man,” she said. After a month of suffering, Magie was sent to an orphanage to live.

While the war years in England were tough, Magie said she, Bert and her mother were eternally grateful to the people of Great Britain. “They opened their hearts and homes to us when no other country—not even the United States—would do so,” she said.

Sida Romberg never gave up hope for reuniting the family, and in April, 1945, just a month before the formal end of WWII, the three Rombergs received visas to emigrate to the U.S.

“There is no country like the United States in this world,” Magie said.

Settling in the New York City metro area, the Rombergs thrived. Eventually, Magie would marry and accompany her husband in 1963 to the Dallas area. Three years later, Bert also moved to Dallas after receiving a great job opportunity. Wishing to be near the children she sought so valiantly to protect, Sida Romberg also made the move to Texas.

As she reflects on her rare experience as a rescued child of the Kindertransport, Magie is grateful for being spared the horrors of war even though the separation from loved ones was difficult. And, she feels obligated to share her story as a regular speaker before student groups—sometimes three and four times a week—who visit the Museum.

“We are supposed to be our brother’s keeper,” she said. “We need to make sure that children of the future never have to endure what my generation did.”

“A History of the Kinderstransport” exhibit is made possible by the generosity of Ann Donald Zetley & Florence and Howard Shapiro in Loving Memory of Martin Donald.

–Chris Kelley, for the Dallas Holocaust Museum

 

 

 

 

 

 

 

U.S. Military Translator and Soldier Munir Captain: In Conflict-Ravaged Iraq, Peace is Possible Through Forgiveness and the Practice of Non-Violent Means

Munir Captain speaks at the Dallas Holocaust Museum on July 11.

Munir Captain speaks at the Dallas Holocaust Museum on July 11.

 

At age 15, when many American teens are busy playing team sports and taking driver’s education classes, Iraqi teenager Munir Captain joined the U.S. military as a translator. Later, he would become a special operations soldier in the U.S. Marines for Operation Iraqi Freedom.

But after surviving 33 assassination attempts, Munir sought and received political asylum in the U.S. in 2009 and eventually settled in Dallas, along with his parents and other relatives.

“I learned (in Iraq) that you cannot kill an idea with a bullet,’’ Munir told an audience of about 50 people at a special lecture at the Museum on July 11. “Non-violent, peaceful means are how you change hearts and minds.”

Although Munir and his family now enjoy relative safety and comfort, they cannot escape the continuing violence and tragedy in Iraq, which has claimed the lives as many as 123,000 civilians.

In July of 2011, Munir’s 19-year-old brother and his 15-year-old cousin were kidnapped and murdered by insurgents seeking revenge because of Munir’s alliance with the U.S. An uncle and other family members have also been killed in reprisal attacks.

From an early age, Munir acknowledges that he questioned the ideology of Saddam Hussein’s regime. His questioning of totalitarian authority landed him in prison for eight months when he was a teen boy of 13 and 14, a place where he was sexually assaulted.

At age 15, Munir said he gladly agreed to serve as a translator for the U.S. military and eventually as a soldier alongside Marines who taught him discipline, confidence and public speaking skills.

And, he said, he learned that forgiveness—not revenge—is the most effective means to stop violence, a lesson he learned from his exposure to and conversations with Christians, Muslims and Jews who had each suffered the loss of loved ones and went on to aid those who had suffered similar loss during the Iraqi conflict—regardless of the sufferers’ religious or other background.

Today, Munir works for a local lighting manufacturer while attending community college. He plans to attend Columbia University to complete his undergraduate degree. He speaks to civic and religious groups about his experiences in Iraq and about his beliefs that forgiveness and non-violence are the paths to sustainable peace.

One day soon, Munir said he hopes to establish a foundation in the U.S. that would fund educational and recreational programs for the youth of Iraq who are open and eager to hear his message of hope.

“I want to plant seeds that will bring forgiveness and peace in Iraq,” Munir said.

–By Chris Kelley, for the Dallas Holocaust Museum; Photo by Paula Nourse

Hope for Humanity Dinner Set for October 30

Father Patrick Desbois

Father Patrick Desbois

Father Patrick Desbois, President of the Yahad-In Unum Association, will receive the Museum’s 2013 Hope for Humanity Award. Local Holocaust Survivors will also be recognized.

Fr. Desbois, who has devoted his life to confronting anti-Semitism and furthering Catholic-Jewish understanding, will be honored at the Museum’s Hope for Humanity Dinner on October 30 at the Dallas Fairmont Hotel, 1717 North Akard Street. The Hope for Humanity reception starts at 6 p.m. Dinner begins at 7 p.m.

Fr. Desbois has dedicated his life to preserving the memory of Ukraine’s former Jewish community and to advance understanding of the crimes committed during the Holocaust. To date, his organization has identified 800 of the estimated 2,000 sites of mass burial.

Tickets will be $350 (limited availability). Table prices begin at $3,500. For further information, please contact Development Director Maria MacMullin at 214-741-7500.

July Events Promise to Enlighten and Embolden Museum Visitors

Rita Blitt

Rita Blitt

July 1:  Rita Blitt’s Reaching Out from Within: Stories of Perseverance 

Rita Blitt is an international, award winning painter, sculptor and filmmaker.

“When I create, I feel like I’m dancing on paper.” says Blitt about her passion for art. She began painting as a child and has lived a life filled with creativity and achievements.

Today, her paintings, drawings and sculptures have been featured in exhibitions in Singapore, Israel, Germany, Japan, Taiwan and Norway. She also has permanent exhibits in museums, galleries and public settings around the world.  She collaborated with other artists to create films including “Blur,” “Visual Rhythms” and “Caught in Paint,” which was shown at the 2008 Cannes Film Festival.  Blitt also authored The Passionate Gesture and Reaching Out From Within.

Her work goes beyond the aesthetically pleasing to her efforts to make the world a better place. “Kindness is Contagious, Catch It!” is a poster Blitt created as a gift to the STOP Violence Coalition, but its world-wide popularity resulted in her presenting prints to every member nation of the United Nations. The Blitt family underwrites the Blitt Family Creative Arts Center at Synergy Services, a violence prevention and intervention center in Parkville, Mo.

Thirteen of Blitt’s colorful and dramatic pieces of sculpture and paintings, an exhibit entitled “Reaching Out from Within: Stories of Perseverance through Art,” will be on display at the Museum from July 1 through August 25, 2013.

July 11: Iraqi war translator Munir Captain

Join the Dallas Holocaust Museum on July 11 as Iraqi war translator Munir Captain shares his stories of despair, freedom and hope.

From 2003 to 2009, Munir Captain and his brother, Omar, served as translators to U.S. forces in their native Iraq.

New residents of North Texas, these brave men still have family in Baghdad, so their personal stories are not only current but relevant as family members in Iraq have faced reprisals for the brothers’ decisions to support American forces and their decision to live as refugees in the U.S.

The brothers bring interesting perspectives on the importance of the regime change in Iraq, the nature of the long insurgency there, the character of the American soldiers, the prospects for Iraq going forward and their own assimilation into American life.

Hear Murnir Captain speak at the Museum theater, 211 N. Record Street Thursday, July 11, 2013 at 6:30 p.m.

A Play for the Ages: The Timekeepers Demonstrates What it Means to be Human

Actors Karl Lewis (Benjamin) and Jeremy W. Smith (Hans) bring an often forgotten story of the Holocaust to the stage.

Actors Karl Lewis (Benjamin) and Jeremy W. Smith (Hans) bring an often forgotten story of the Holocaust to the stage.

What divides us as human beings should not be stronger than what unites us. Yet, history is filled with examples where differences, especially in matters of truth and justice, have produced tragic results.

Conflict over what we share in common—and who we are as individuals—well, this is the stuff of compelling stage drama. Make the setting a World War II concentration camp during the Holocaust, at a Holocaust Museum, and the drama is groundbreaking.

Such is the case with The Timekeepers, a limited-run play now at the Dallas Holocaust Museum Theater on select nights through June 22. The subject matter is strictly for adults. Tickets are available online.

Directed by veteran Texas artistic director Joe Watts, The Timekeepers tells the story of a young-ish German homosexual and a conservative elderly Jewish man who are forced to work together in a camp, repairing watches for the Nazis.

At first, inmate #70649, a character named Benjamin played by veteran Dallas actor Karl Lewis, who wears a yellow star on his camp uniform, won’t even speak to his new colleague. Hans, inmate #2202, whose pink upside down triangle brands his character, played by actor Jeremy W. Smith, a SAG member with television credits, takes the rejection in stride, as though accustomed to it.

Fomenting—and sometimes mediating—the relationship is Capo, a petty thief and camp inmate who oversees the watch repair shop, played by actor Eric Hanson, who makes his debut theatrical performance in the production.

Benjamin was a highly regarded watchmaker in Berlin prior to his deportation. He is expert at repairing watches that Nazi guards confiscated from new camp arrivals. Hans lied about his mechanical abilities—he knows nothing about repairing watches—to avoid certain death as a failed laborer in a camp cement plant.

As is often the case in life where obvious differences overshadow commonalities upon initial meetings, time and humor eventually washes away prejudice and indifference and the two men discover each has a passion for a shared interest: opera.

The two men become friends and even rehearse scenes from an opera that they will perform at a show for the Finnish branch of the Red Cross who will be visiting the camp in a few days.

However, when the show is suddenly cancelled, their common passion for opera instantly disappears and pride and prejudice overtakes each again and erupts in a raw, disturbing, enlightening and all too familiar scene from daily life even today.

To say more about the play by Dan Clancey would spoil an incredibly impactful production by Theatre New West.

In introducing the play, truly a first-of-its-kind production for the Dallas Holocaust Museum/Center for Education and Tolerance, President and CEO Mary Pat Higgins noted how the Museum is committed to telling the stories of all Holocaust victims.

“Homosexuals are among the Holocaust’s forgotten victims,” she noted. “The Timekeepers, while fiction, is based on a larger story and it allows us to bring the ‘forgotten’ into the light.”

The play continues Fridays and Saturdays, June 14, 15, 21 and 22 at 8 p.m. Talk back sessions with the director and cast will occur after Friday night performances.

By Chris Kelley, for the Dallas Holocaust Museum

Don’t Miss Summer 2013! Programs, Plays and Presentations All Part of Museum Lineup

Dr. Geoffrey Megargee

Dr. Geoffrey Megargee

June 6: USHMM Researcher to Detail Findings on Vastly Larger Number of Death Camps, Other Nazi Facilities During Holocaust

Thirteen years ago, researchers at the United States Holocaust Memorial Museum began the dismal task of documenting all the ghettos, slave labor sites, concentration camps and killing factories that the Nazis set up throughout Europe.

Historians anticipated there would be 7,000 camps and ghettos, but what they found has shocked even scholars, proficient in the history of the Holocaust.

Dr. Geoffrey Megargee was at the heart of the research project that led to the shocking discovery of not 7,000, but 42,500 camps and ghettos across Europe.

This story captured world interest when released in the New York Times in March 2013.

Now you can hear Dr. Geoffrey Megargee tell the story “How the Holocaust Just Got A Lot More Shocking.”

Join the Dallas Holocaust Museum Thursday, June 6, at 6:30 p.m. in Dallas Hall at SMU McCord Auditorium, as Dr. Megargee shares the details of the research and the discoveries, and learn what impact this will have on Holocaust studies. There is no charge to attend the lecture, however, please RSVP at RSVP@DallasHolocaustMuseum.org .

Lev Aronson

Lev Aronson

June 11: “Concert in the Atrium” to Celebrate Life of the Late Lev Aronson

The Dallas Holocaust Museum presents “Concert in the Atrium” on Tuesday, June 11, at 1:30 p.m. in the atrium of the Museum, 211 N. Record Street.

The concert will feature cellists who are in Dallas for the The First Annual Lev Aronson Legacy Festival Week at SMU, among them festival creator and renowned cellist, Brian Thornton.

Lev Aronson, the world-renowned cellist and Holocaust survivor, was an incredible, blossoming solo cellist in his day. When he was interred in labor and concentration camps in World War II, and his prized Amati cello taken from him, he began to “think-sing” the concertos he knew from memory, establishing a sense of time and patience that gave him the strength to survive.

After the war, Aronson became the principal cellist in the Dallas symphony and he was renowned worldwide as a teacher of cello. “It is my turn to help keep his memory alive,” Thornton says of his beloved teacher.

Thornton is a member of the Cleveland Orchestra and creator of the Lev Aronson project, a CD showcasing beautiful melodies for cello and piano created by Lev Aronson.

The Timekeepers

The Timekeepers

June 12: Ground-breaking Play The Timekeepers Begins Limited Run

Dan Clancy’s award-winning play The Timekeepers is a Holocaust drama set at Sachsenhausen concentration camp in World War II Germany.

It tells the story of prisoners Benjamin, a conservative, elderly Jewish watchmaker put to work at his trade by the camp commander, and Hans, an outrageous young German homosexual who’s been assigned as Benjamin’s assistant. In spite of their dire circumstances and vast differences, the men form a strong bond over their shared love of opera and their wicked sense of humor.

The Timekeepers has played in London, Israel, Ireland, Canada, Poland, Germany and New York, and has generated glowing reviews.  Dealing with the Holocaust in a way that accentuates the private experience of a horrific tragedy affecting millions, it became the most performed Israeli piece of theater in the world.

The Dallas Holocaust Museum/Center for Education and Tolerance, Theatre New West and theater director, Joe Watts, are collaborators for the production, which will be held June 12 through June 15 and June 21 and 22.   June 12 is a special  “pay-what-you-can” night.  Admission for the remaining performances is $20.  Tickets can be purchased through Event Brite at http://thetimekeepers.eventbrite.com

The curtain rises at 7:30 p.m. and, for Friday and Saturday performances, at 8 p.m. The play will be performed in the Museum theater. The adult content of this production is not suitable for young children.

Rita Blitt

Rita Blitt

July 1: New Special Exhibit Opens Featuring “Stories of Perserverance”

Rita Blitt is an international, award winning painter, sculptor and filmmaker.

“When I create, I feel like I’m dancing on paper.” says Blitt about her passion for art. She began painting as a child and has lived a life filled with creativity and achievements.  Today her paintings, drawings and sculptures have been featured in exhibitions in Singapore, Israel, Germany, Japan, Taiwan and Norway. She also has permanent exhibits in museums, galleries and public settings around the world.  She collaborated with other artists to create films including “Blur,” “Visual Rhythms” and “Caught in Paint,” which was shown at the 2008 Cannes Film Festival.  Blitt also authored The Passionate Gesture and Reaching Out From Within.

Her work goes beyond the aesthetically pleasing to her efforts to make the world a better place. “Kindness is Contagious, Catch It!” is a poster Blitt created as a gift to the STOP Violence Coalition, but its world-wide popularity resulted in her presenting prints to every member nation of the United Nations. The Blitt family underwrites the Blitt Family Creative Arts Center at Synergy Services, a violence prevention and intervention center in Parkville, Mo.

Thirteen of Blitt’s colorful and dramatic pieces of sculpture and paintings, an exhibit entitled “Reaching Out from Within: Stories of Perseverance through Art,” will be on display at the Museum from July 1 through August 25, 2013.

Come hear Iraqi War translator Munir Captain on July 11, 2013

Come hear Iraqi War translator Munir Captain on July 11, 2013

July 11: Iraqi War Translator to Share his Stories of Despair, Freedom and Hope

Join the Dallas Holocaust Museum on July 11 as Iraqi war translator Munir Captain shares his stories of despair, freedom, and hope.

From 2003 to 2009, Munir Captain and his brother, Omar, served as translators to U.S. forces in their native Iraq.

New residents of North Texas, these brave men still have family in Baghdad, so their personal stories are not only current but relevant as family members in Iraq have faced reprisals for the brothers’ decisions to support American forces and their decision to live as refugees in the U.S.

The brothers bring interesting perspectives on the importance of the regime change in Iraq, the nature of the long insurgency there, the character of the American soldiers, the prospects for Iraq going forward and their own assimilation into American life.

Hear Munir Captain speak at the Museum theater, 211 N. Record Street Thursday, July 11, 2013 at 6:30 p.m.

 

--By Shelia Huffman, for the Dallas Holocaust Museum

For Carl Wilkens, the only American who remained in Rwanda during the 1994 Genocide, “I’m Not Leaving” is a clarion call to action

Carl Wilkens speaks to at the Dallas Holocaust Museum on May 16, 2013

Carl Wilkens speaks at the Dallas Holocaust Museum on May 16, 2013

For 100 days in 1994, between early April and mid-July, more than 500,000 people were murdered in the East African state of Rwanda.

The Rwandan Genocide was a genocidal mass slaughter of the Tutsis by the Hutus. Some estimates of the death toll ranged up to 1,000,000, or as much as 20% of the country’s total population at the time.

The genocide was the culmination of longstanding ethnic competition and tensions between the minority Tutsi, who had controlled power for centuries, and the majority Hutu peoples, who had come to power in the rebellion of 1959–62.

Throughout the tragic ordeal, Carl Wilkens, a humanitarian aid worker from Chicago, was the only American to remain in the country. Wilkens moved his young family to Rwanda in the spring of 1990 to work for the humanitarian agency of the Adventist Church. During the genocide, he remained there with his wife, two children and two young Tutsis who would have been slaughtered had he not kept them safe in his home.

Three weeks into the genocide, Carl—at great personal risk—traveled to an orphanage near the Rwandan capital of Kigali, to bring water to the thirsty and starving children living there. Unbeknownst to him at the time, the children were also targeted for mass slaughter. However, his presence at the orphanage, along with negotiations with the would-be killers, resulted in hundreds of lives being saved.

On May 16 at the Museum, Carl Wilkens shared his incredible story in a special presentation, “Rwanda through the eyes of the only American to witness the 1994 Genocide.” More than 120 guests packed the Museum’s theater to hear the presentation, among them several survivors of the Rwandan genocide who lost loved ones to the unspeakable violence.

“The young woman and young man we kept in our home never asked me to stay,” said Wilkens, who been urged by close friends, his employer and the U.S. government to leave Rwanda immediately. “We could not leave.”

He downplayed his role in saving lives during the genocide. “I didn’t do anything by myself. I did it with others as part of a group,” he said. “None of us are God-like heroes on our own. But all of us can be an Upstander for 15 minutes.”

Wilkens said tens of thousands of lives could have been saved if the U.S. government or the U.N. would have permitted non-Rwandans to drive Rwandan citizens out of the small country to the safety of neighboring countries prior to the violence. Rwanda is a small country about the size of Maryland but densely populated with 11.7 million residents (2012 estimate).

Wilkens has written a book about the experience, I’m not leaving (ImNotLeavingRwanda.com), and a new 35-minute documentary by the same name will be released later this year.

For the past nine years, Wilkens and his wife, Teresa, have been travelling the U.S. and abroad to share their experiences with the aim of building bridges to peace.

Slowly, Rwandans are rebuilding their country and healing through the power of forgiveness, he said. He last visited Rwanda in January.

“We are not defined by what we don’t have or lost,” Wilkens concluded. “We are defined by what we do with what we have.”

–By Chris Kelley for the Dallas Holocaust Museum/Center for Education and Tolerance; Photo by Paula Nourse

Post Navigation

Follow

Get every new post delivered to your Inbox.