Actors Karl Lewis (Benjamin) and Jeremy W. Smith (Hans) bring an often forgotten story of the Holocaust to the stage.
What divides us as human beings should not be stronger than what unites us. Yet, history is filled with examples where differences, especially in matters of truth and justice, have produced tragic results.
Conflict over what we share in common—and who we are as individuals—well, this is the stuff of compelling stage drama. Make the setting a World War II concentration camp during the Holocaust, at a Holocaust Museum, and the drama is groundbreaking.
Such is the case with The Timekeepers, a limited-run play now at the Dallas Holocaust Museum Theater on select nights through June 22. The subject matter is strictly for adults. Tickets are available online.
Directed by veteran Texas artistic director Joe Watts, The Timekeepers tells the story of a young-ish German homosexual and a conservative elderly Jewish man who are forced to work together in a camp, repairing watches for the Nazis.
At first, inmate #70649, a character named Benjamin played by veteran Dallas actor Karl Lewis, who wears a yellow star on his camp uniform, won’t even speak to his new colleague. Hans, inmate #2202, whose pink upside down triangle brands his character, played by actor Jeremy W. Smith, a SAG member with television credits, takes the rejection in stride, as though accustomed to it.
Fomenting—and sometimes mediating—the relationship is Capo, a petty thief and camp inmate who oversees the watch repair shop, played by actor Eric Hanson, who makes his debut theatrical performance in the production.
Benjamin was a highly regarded watchmaker in Berlin prior to his deportation. He is expert at repairing watches that Nazi guards confiscated from new camp arrivals. Hans lied about his mechanical abilities—he knows nothing about repairing watches—to avoid certain death as a failed laborer in a camp cement plant.
As is often the case in life where obvious differences overshadow commonalities upon initial meetings, time and humor eventually washes away prejudice and indifference and the two men discover each has a passion for a shared interest: opera.
The two men become friends and even rehearse scenes from an opera that they will perform at a show for the Finnish branch of the Red Cross who will be visiting the camp in a few days.
However, when the show is suddenly cancelled, their common passion for opera instantly disappears and pride and prejudice overtakes each again and erupts in a raw, disturbing, enlightening and all too familiar scene from daily life even today.
To say more about the play by Dan Clancey would spoil an incredibly impactful production by Theatre New West.
In introducing the play, truly a first-of-its-kind production for the Dallas Holocaust Museum/Center for Education and Tolerance, President and CEO Mary Pat Higgins noted how the Museum is committed to telling the stories of all Holocaust victims.
“Homosexuals are among the Holocaust’s forgotten victims,” she noted. “The Timekeepers, while fiction, is based on a larger story and it allows us to bring the ‘forgotten’ into the light.”
The play continues Fridays and Saturdays, June 14, 15, 21 and 22 at 8 p.m. Talk back sessions with the director and cast will occur after Friday night performances.
By Chris Kelley, for the Dallas Holocaust Museum