By now, all of us know well the dangers of unchecked prejudice and hatred. In spite of this knowledge, a growing tide of antisemitic acts and words is sweeping across our country–Jewish cemeteries and other memorials are being desecrated, 69 bomb threats have been made to dozens of Jewish Community Centers, Jewish students are threatened on our nations’ campuses, and anti-Jewish and anti-Israel social media rants are appearing with frightening regularity. The mission of the Dallas Holocaust Museum/Center for Education and Tolerance is to teach the history of the Holocaust and advance human rights to combat prejudice, hatred, and indifference. In light of our mission, we call upon every American to become an Upstander; to take action against prejudice, hatred and indifference by speaking up against these acts whenever and wherever you can.
*The Museum purposely chooses to spell antisemitic this way.
The Dallas Holocaust Museum presented its inaugural Cardinal Kevin J. Farrell Upstander Award to the Cardinal in recognition of his outstanding commitment to human rights and dignity at a special reception at the Rosewood Mansion on Turtle Creek on Thursday, Dec. 1.
The new award named in honor of Cardinal Farrell will recognize prominent individuals whose actions are in line with the Museum’s mission to educate school children and adults about the history of the Holocaust and advance human rights to combat prejudice, hatred, and indifference. The award is one of the Museum’s highest honors.
In videotaped acceptance remarks, Cardinal Farrell, appearing from the Vatican in Rome, said: “I have always believed that we are one human family, and we all have to get together and help each other create a better world for everybody. We all need to love and care for each other.”
On September 1, Pope Francis appointed Cardinal Farrell to a new post at the Vatican, the Prefect of the Dicastery for Laity, Family, and Life—focused on the lives of ordinary Catholics around the world—making him the highest-ranking American clergyman serving at the Vatican. Since 2007, he had served as the seventh Bishop of Dallas, as well as the chancellor of the University of Dallas. On November 19, 2016, Pope Francis raised Farrell to the rank of Cardinal.
“Cardinal Farrell has dedicated his life to helping others. As a person who stands up against hatred, speaks out and takes action to assist victims, he exemplifies what it means to be an “Upstander,” said Mary Pat Higgins, President, and CEO of the Dallas Holocaust Museum/Center for Education and Tolerance. The opposite of a bystander, an Upstander is a person who stands up and speaks up for what is right, even if, at times, they stand alone.
Shortly after his arrival in Dallas in 2007, then-Bishop Farrell quickly demonstrated Upstander activities in the community. He has led marches and spoken at Dallas City Hall to promote immigration reform and compassionate treatment of all immigrants, especially thousands of undocumented migrant children fleeing political violence in Central America. He condemned domestic violence, stressed the importance of female engagement in the Church and brought attention to parishes in need of money. He is honored lay volunteers for their service and commitment. In 2014, he invited the family of a Dallas Ebola victim to stay at a church-owned- house as they waited in quarantine to see if they had contracted the deadly disease.
“We help people because we’re Catholic, not because they’re Catholic,” he said at the time in response to a reporter who asked why the diocese was helping the non-Catholic family.
Following the tragic shooting on July 7 of police officers in downtown Dallas, which killed five officers and injured nine others, along with two civilians, then-Bishop Farrell joined both civic and faith leaders in prayer for peace and healing.
Last year, at the behest of then-Bishop Farrell, the Catholic Diocese of Dallas co-presented the special gallery exhibit Holocaust by Bullets with the Dallas Holocaust Museum. The exhibit presented ten years of research and investigation by a Catholic Priest, Father Patrick Dubois, about the systematic murder of two million Jews who were shot and left in unmarked graves in Belarus, Russia, and Ukraine during the Holocaust.
Holocaust Museum Board-Chair Elect Florence Shapiro presented the Cardinal Kevin J. Farrell Upstander Award to Bishop Greg Kelly, Apostolic Administrator of the Catholic Diocese of Dallas.
“In celebrating an occasion such as this one tonight, I am reminded of the words of Elie Wiesel, of blessed memory, Mrs. Shapiro said.
“Just as man cannot live without dreams, he cannot live without hope. If dreams reflect the past, hope summons the future.”
“To our friends at the Catholic Diocese of Dallas, thank you for your gift of hope as you stand with us as partners in every true sense.”
Join us on Thursday, December 8 for a special screening of the Academy Award-winning documentary The Long Way Home, narrated by Morgan Freeman. The film will be screened in conjunction with our current special gallery exhibit, Rebirth after the Holocaust: Bergen-Belsen Displaced Persons Camp, 1945-1950.
The Long Way Home tells the story of thousands of Jewish survivors as they tried to reclaim their place in the world following World War II and the Holocaust. Using rare archival footage and stills, news reels, and interviews, the film depicts the challenges refugees faced in displaced persons camps—refugee centers set up specifically for survivors of the Holocaust.
This companion film echoes the true stories of survival and liberation presented in the Museum’s current exhibit. Come see the film and tour our exhibit to witness the revival of Jewish culture in the unlikeliest of places, as well as the struggle to establish a homeland. Learn about the years of delayed freedom, uncertainty, and physical hardship before the refugees were finally permitted to begin new lives in Israel, the United States, and elsewhere.
The Long Way Home starts at 6:30 p.m. on Thursday, December 8, at the Museum. Run Time is 120 minutes. The screening is free, but RSVP is required. Register at Eventbrite.
As journalist and photographer Edward Serotta approached one of the last places of refuge in war-torn Sarajevo—an aging synagogue run by a cross-section of Sarajevo citizens—he could hardly believe the devastation that lay before him.
Refugees of all backgrounds, ethnic groups, and religions had gathered at the Jewish humanitarian aid agency known as La Benevolencija with nothing but the clothes on their backs, while Serotta himself, a neutral party in the conflict, entered the synagogue in a flak jacket and blast helmet.
The Nazis and their collaborators murdered more than 1.5 million Jewish children between 1933 and 1945—one of the many despicable crimes of the Holocaust.
Every child had a name, a family, a place they called home.
On May 5, at the Museum’s Yom Hashoah 2016 service of remembrance at Dallas’ Congregation Shearith Israel, the children of the Holocaust were memorialized with music, the reading of their testimonies, prayers, and tears.
Today, the world comes together to honor the millions of Jewish and non-Jewish victims of the Holocaust.
Designated by the United Nations General Assembly to coincide with the anniversary of the liberation of Auschwitz-Birkenau, International Holocaust Remembrance Day (Jan. 27) sets aside one day a year for member states of the UN to commemorate the lives lost at the hands of the Nazis and to emphasize the need to develop educational programs that might help prevent future genocides.
For Alexis Kosarevsky, the newly-hired translator for the French organization Yahad-In-Unum and a native of Ukraine, the moment in 2008 was transformative.
Yahad-In-Unum was founded in Paris in 2004 by leaders in the French Catholic and Jewish communities to locate, map, cover and memorialize the sites of mass graves of Jewish victims of the Nazi mobile killing units during World War II operating in Ukraine, Belarus, Russia, Poland and Moldavia.
There is no “bright side” to the mass murder of six million European Jews, Roma, homosexuals and others. It is one of the worst periods in human history, and it is painful to consider.
It is not our mission at the Dallas Holocaust Museum, however, to depress our visitors. Quite the opposite, we want you filled with a sense of hope and purpose. We want you to leave the Museum determined to never let these horrors happen again. We want you to be inspired, transformed and motivated to create a future free from hate.
We realize that our upcoming special exhibit “Holocaust By Bullets: Yahad-In Unum – 10 Years of Investigations,” running Sept. 10 to Dec. 31, will be troubling to view. During WWII, the Germans conducted the majority of the genocide by deporting Jews to death camps, located mostly in Poland. In the Soviet Union, however, an insufficient rail system and the capacities of death camps compelled the Nazis to murder Jews near their homes and villages. After shooting their victims, the Nazis buried them in mass ditches before continuing on to another village.
More than 1,700 mass killing sites in Europe have been identified.
There are not words strong enough to express how terrible this story is.
There is hope for the future, though.
The “Holocaust By Bullets” exhibit was created Yahad – In Unum, a global organization created to raise consciousness of the sites of Jewish and Roma mass executions by Nazi killing units in Eastern Europe during World War II. The organization was founded by a Roman Catholic priest — Father Patrick Desbois.
Modern-day massacres in Cambodia, Rwanda, Darfur, the Balkans and Syria have been modeled after the tactics used by the Nazis in the Soviet Union. By studying these sites, we can learn more about this form of genocide and how to prevent it. While Father Desbois’ work nobly memorializes so many victims of the Nazis, it also gives hope for a future where this form of genocide no longer exists.
Yes, “Holocaust By Bullets” will be hard to view. It will also be sure to inspire. We hope that you will visit us to see it.
For the first seven minutes of German Concentration Camps Factual Survey, the audience sat in communal silence.
Literally, not one sound could be heard in the Cinemark 17 Theater in North Dallas as the official British documentary film on the Nazi concentration camps of WWII began to play.
Before the film, Museum President and CEO Mary Pat Higgins warned the 325 people in attendance at the Aug. 3 special screening that the images we were about to watch would be “full of the painful truth” about the atrocities that happened at Nazi concentration and extermination camps—the “starvation, cruelty, murder, misery and suffering . . .”
It was most certainly painful. And, it is why silence seemed the appropriate response to this film: words cannot accurately capture this depiction of man’s inhumanity to man.
Incorporating the work of British, American, and Soviet camera crews, the film documents the liberation of concentration and extermination camps by the Allies as the war in Europe came to a close in April and May 1945.
Alfred Hitchcock, a one-time treatment advisor on the film, suggested the filmmakers avoid tricky editing to enhance the film’s authenticity and credibility. What we are left with are long takes of the most gruesome scenes from the Holocaust: piles of human remains, ashes from the crematoria, and the signs of lives once lived—bags of human hair, wedding rings, spectacles, and toothbrushes.
Footage accumulated for the film would be used in the postwar prosecution of Nazi war criminals at Nuremberg and Lüneburg.
Postwar politics and an urgent need to begin the rebuilding of war-ravaged Germany and Britain overtook the film’s production timeline and reflective script.
Consequently, the film was shelved, although excerpts from it were released as part of other Holocaust documentaries after the Imperial War Museum took possession of the rough cut in 1952. Footage, for example, was used in the 1985 documentary, “A Painful Reminder.”
After funding was secured, work to restore and complete the film began in earnest in December 2008. Factual Survey premiered at the 2014 Berlin International Film Festival. A documentary about the making of the film was later shown on HBO (under the title Night Will Fall) on Jan. 27, 2015, Holocaust Remembrance Day, the 70th Anniversary of the liberation of Auschwitz.
In a brief Q&A following the Cinemark screening, local Holocaust survivor Max Glauben said the film depicted the life he experienced in concentration camps, but the true reality of the atrocities, he said, remain difficult to convey. Max said he would rather focus on the positive lessons he learned as a survivor while reminding the world that evil is ultimately a choice made by each person individually.
The film screening was made possible by Cinemark Theatres, which donated the use of the theater, Academic Partnerships and, in part, with a grant from Humanities Texas, the State Affiliate of the National Endowment for the Humanities.
Join us on September 10 at 5:30 p.m. for the opening reception and lecture for the upcoming special exhibit “Holocaust by Bullets.” Also, please plan to join us on October 15 for our next Upstander Speaker Series presentation: Ret. Lt. Gen. Romeo Dallaire, former UN peacekeeping force commander for Rwanda at 6:30 p.m. at SMU.
“Each piece of music tells a story,” pianist-author-storyteller Mona Golabek says, “but you have to figure out what the story is.”
And for those who attended the June 10 performance, “An Evening with Mona Golabek,” at the Wyly Theater at the AT&T Performing Arts Center, benefitting the Museum, the story she told simply was amazing.
Through classical piano pieces, projected multimedia photos and images, tastefully recorded sound and spoken narrative, Ms. Golabek told the inspirational story of her mother, Lisa Jura, and her experience as a child of the Kindertransport. The Kindertransport was a British rescue operation at the beginning of World War II that enabled 10,000 primarily Jewish children to escape the Nazis.
You can see an excerpt from Ms. Golabek’s performance here from the 2012 world premiere of The Pianist of Willesden Lane at the Geffen Playhouse, adapted and directed by Hershey Felder.
The themes reflected in Ms. Golabek’s performances are mirrored in the mission of the Museum: to preserve the memory of the Holocaust, and to teach the moral and ethical response to prejudice, hatred and indifference, for the benefit of all humanity.
Following World War II, Lisa Jura became a classical pianist, eventually moving to the U.S. and marrying a French soldier whom she met in Britain during the war, Ms. Golabek’s father.
Daughter followed in mother’s footsteps, becoming a classical pianist herself. Ms. Golabek’s amazing musical talent includes a Grammy nomination. Get Ms. Golabek’s book—filled with music, to be sure—but music that tells a compelling story.
Meantime, make plans to attend a must-see Special Exhibit coming to the Museum.
“Ground Zero 360: Never Forget” displays the work of Nicola McLean, a New York-based Irish photographer who captured powerful images in the aftermath of the Sept. 11 attacks. Her husband, Paul McCormack, was the presiding New York Police Department Commanding Officer of the 41st Precinct at the time. Together they created the exhibit in remembrance of the victims of the attacks and in honor of the heroic actions of first responders who worked tirelessly in the hours, days, and weeks that followed.
On the exhibit’s opening day on July 2, the Museum will honor first responders from the North Texas community by hosting a First Responders Open House from 8:30 a.m. to 1:30 p.m., providing free admittance with funding from Communities Foundation of Texas donors. Breakfast and lunch will also be provided. The launch day activities continue that evening with a reception at 5:30 p.m., followed by a lecture from McCormack.
McLean and McCormack, who met shortly before 9/11 and later married, worked together over the course of 10 years to create the exhibit. Comprised of moving visual and audio elements, the exhibit allows patrons to gain perspective and reflect on what New Yorkers experienced during this tragic time.